In his newly published memoir American Exxxtasy: My 30-Year Search for a Happy Ending, John Amero recalls his days as one of the most influential makers of gay and straight porn…
by David-Elijah Nahmod
John Amero was there at the very dawn of the porn industry. At a time when working in porn carried a huge stigma, at a time when people in the business worked under assumed names out of fear of being “discovered”, Amero and his late brother Lem proudly put their real names in the credits of early X rated classics such as Every Inch a Lady (1975) and Blonde Ambition (1981). In Amero Brothers productions, the films told a story and featured performers who could act. In many ways the brothers tried to emulate the classic Hollywood films they adored, such as the glorious MGM musicals of the previous generation.
Amero worked on more than thirty feature films in various capacities. He called the shots in both gay and straight films and had a wonderful time doing so. Now, in his newly published memoir American Exxxtasy: My 30-Year Search for a Happy Ending, Amero recalls those bygone days with wit, humour and heart.
Amero writes vividly of his youth in New England where he was raised by a conservative grandmother after his parent’s divorce. His father remarried and moved away and his mother had serious mental health issues. It wasn’t an easy childhood and so Amero often escaped to the movies. But he loved his grandmother and his family dearly, and he remained close to them even after he moved to New York City and had made a name for himself in the world of adult cinema.
A New York City which no longer exists comes to life as Amero recalls his early days in the Big Apple where he shared an apartment with his beloved older brother Lem. At first Amero hid his homosexuality from Lem. It was a different era and being gay was not accepted by mainstream society. But one fateful night Amero wanders into a gay bar and runs into Lem, and the two were best friends from that day forward. The book is dedicated to Lem, and to Amero’s long term partner Chuck, both of whom are now deceased.
In his salad days Amero worked at CBS and ABC, editing commercials into TV shows for the latter. As he did during his youth, he went to the movies constantly. The movies were his escape, and he absorbed everything he saw like a sponge. One day he went with his friend Michael Findlay to see a low budget exploitation film and his whole life changed. Amero agrees to work on an exploitation film with Findlay, producing a black and white film called Body of a Female (1964), a film which promised its audience all manner of sexual activity. These forerunners of adult films were never quite as dirty as they promised to be, though they definitely were not for kids. The film was a success, and Amero was on his way, producing, writing, or directing one film after another, working closely with Findlay and with his brother. When hardcore became the industry standard in the early 1970s, Amero accepted it and continued working.
Amero goes into great detail about the making of many of the films. He offers insight into what goes into the casting process, securing locations, dealing with performers’ egos, the trials and tribulations of actual film shoots, and getting a good distribution deal. Whether a reader is interested in making adult films or working in mainstream Hollywood, Amero’s prose serves as a teaching guide in how to make a film.
Two chapters of the book are devoted to the gay films that Amero worked on, which he did under the nom de porn Francis Ellie. As with his straight films, Amero put a good deal of thought into each film, coming up with fully fleshed out stories and hiring the best talent he could find. Navy Blue, one of the Francis Ellie films, was a homage to the 1949 musical On the Town, which had starred Hollywood legends Frank Sinatra and Gene Kelly. Audiences ate up everything Amero did. His films always made money.
Amero also writes about his encounters with various celebrities in New York, such as movie star Montgomery Clift, jazz chanteuse Rosemary Clooney, 1950s Oscar winner Gloria Grahame, and Donald Trump, long before anyone ever thought Trump would ever be president. It seems that the Donald wasn’t a nice guy even back then.
But it wasn’t all fun and glamour. Amero writes movingly of the three biggest losses in his life–the death of close friend Findlay in a helicopter accident, his brother’s demise from AIDS, and the loss of Chuck, his beloved life partner of many years, who had been suffering from a variety of health issues. These losses affected Amero greatly and his recollections of losing them are beautifully written and quite moving.
The book is also filled with the names of people who were superstars during the porn industry’s early years. Names like Harry Reems, Andrea True and gay porn legend Jack Wrangler are remembered as consummate professionals and Amero humanizes them with his deft writing.
American Exxxtasy: My 30-Year Search for a Happy Ending is a wonderful book, a time capsule of an era that will never be again. Regardless of whether you’re a porn fan or not, it’s well worth a read.
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